Saturday, September 24
Ursuline Church, 8.30 p.m.
JORDI SAVALL, viola da gamba
Programme:
Les Voix Humaines
Recital
Invocation
Carl Friedrich Abel (1723.-1787.)
Prélude
Johann Sebastian Bach (1685.-1750.)
Allemande
Johannes Schenck (1660.- iza 1712.)
Aria Burlesca
Les Regrets
Mr de Sainte-Colombe sin (oko 1660.-1720.)
Fantasie en Rondeau
Mr de Sainte-Colombe otac (oko 1640.-1700.)
Les Pleurs
Johann Sebastian Bach (1685.-1750.)
Bourrée
Musical Humours
Tobias Hume (1569.-1645.)
A Souldiers March
Harke, harke – Woope doe me no harm
A Souldiers Resolution
Lessons for the Lyra Viol
Alfonso Ferrabosco (oko 1575.-1620.)
Coranto
Thomas Ford (oko 1580.-1648.)
Why not here
John Playford (1623.-1686.)
La Cloche-Sarabande
The Lancashire Pipes (1660.-1680.)
(The Manchester Gamba)
A Pointe ili Preludium – The Lancashire Pipes
The Piggs of Rumsey – Kate of Bardie
The Cup of Tea (irska tradicijska) – A Toye
Viola da gamba sa sedam žica Baraka Normana, London, 1697.
About:
For more than fifty years, Jordi Savall, one of the most versatile musical personalities of his generation, has rescued musical gems from the obscurity of neglect and oblivion and given them back for all to enjoy. A tireless researcher into early music, he interprets and performs the repertory both as a gambist and a conductor. His activities as a concert performer, teacher, researcher and creator of new musical and cultural projects have made him a leading figure in the reappraisal of historical music. Together with Montserrat Figueras, he founded the ensembles Hespèrion XXI (1974), La Capella Reial de Catalunya (1987) and Le Concert des Nations (1989), with whom he explores and creates a world of emotion and beauty shared with millions of early music enthusiasts around the world.
His essential contribution to Alain Corneau’s film Tous les Matins du Monde, which won a César for the best soundtrack, his busy concert schedule (140 concerts per year), his recordings (6 albums per year) and his own record label, Alia Vox, which he founded with Montserrat Figueras in 1998, Jordi Savall has proved not only that early music does not have to be elitist, but that it can appeal to increasingly diverse and numerous audiences of all ages. As the critic Allan Kozinn wrote in The New York Time (2005), his vast concert and recording career can be described as “not simply a matter of revival, but of imaginative reanimation.”
Savall has recorded and released more than 230 discs covering the Medieval, Renaissance, Baroque and Classical music repertories, with a special focus on the Hispanic and Mediterranean musical heritage, receiving many awards and distinctions such as the MIDEM Classical Award, the International Classical Music Award and the Grammy Award. His concert programmes have made music an instrument of mediation to achieve understanding and peace between different and sometimes warring peoples and cultures. Accordingly, guest artists appearing with his ensembles include Arab, Israeli, Turkish, Greek, Armenian, Afghan, Mexican and North American musicians. In 2008 Jordi Savall was appointed European Union Ambassador for intercultural dialogue and, together with Montserrat Figueras, was named “Artist for Peace” under the UNESCO “Good Will Ambassadors” programme.
He has played a seminal role in the rediscovery and performance of Una cosa rara and Il burbero di buon cuore by the composer Vicent Martín i Soler. He has also conducted Le Concert des Nations and La Capella Reial de Catalunya in performances of de Monteverdi’s L’Orfeo, Vivaldi’s Farnace, Fux’s Orfeo ed Euridice and Vivaldi’s Il Teuzzone.
Jordi Savall’s prolific musical career has brought him the highest national and international distinctions, including honorary doctorates from the Universities of Evora (Portugal), Barcelona (Catalonia), Louvain (Belgium) and Basel (Switzerland), the order of Chevalier de la Légion d’Honneur (France), the Praetorius Music Prize awarded by the Ministry of Culture and Science of Lower Saxony, the Gold Medal of the Generalitat of Catalonia and the prestigious Léonie Sonning Prize, which is considered the Nobel prize of the music world. “Jordi Savall testifies to a common cultural inheritance of infinite variety. He is a man for our time” (The Guardian, 2011).