Sunday, October 1
Trakošćan Castle 11.00 a.m.
Prospero Consort
Daria Spiridonova, violin
Nora Eder, violin
Dominik Klauser, viola
Marie-Louise Wundling, cello
Lukas Stamm, harpsichord
A Sense of Togetherness
Carl Philipp Emanuel Bach
Sinfonia for strings and b.c. in E minor Wq 177
Allegro assai
Andante moderato
Allegro
Jean-Philippe Rameau
Pièces de clavecin en concerts, 1st Suite
La Coulicam
La Livri. Rondeau Gracieux
Le Vézinet
Johann Friedrich Fasch
Sonata for 2 violins, viola and b.c. in D minor, FWV N:d3
Largo
Allegro
Largo
Allegro
Johann Sebastian Bach
Sonata for violin und b.c. in G major, BWV 1021
Adagio
Vivace
Largo
Presto
Johann Sebastian Bach
Sonata for 2 violins and b.c. in G major, BWV 1038
Largo
Vivace
Adagio
Presto
Georg Philipp Telemann
Sonata à 4 for 2 violins, viola and b.c. in A minor, TWV 43:a5
Grave
Allegro-Adagio
Allegro
Largo e staccato
Allegro
Johann Sebastian Bach
Contrapunctus I. from: Kunst der Fuge, BWV 1080/1
Choral: Verleih uns Frieden gnädiglich, BWV 42/7 (3’)
Prospero Consort is a Swiss-based ensemble consisting of young musicians who have dedicated themselves to historical performance practice in the conviction that the music of the past centuries is still relevant to our present. Educated at various music academies in Switzerland and Germany, they are united by the ambition to perform the music of the 17th and 18th century in highest artistic quality. Prospero Consort plays on historical instruments and consists of a string quartet with harpsichord; depending on the program, wind instruments and singers are added to the ensemble. Projects with unconventional programs from northern Germany to Naples, from trio to the chamber music performance of Bach cantatas prove the variety and curiosity of the ensemble. In addition to performing baroque music the ensemble frequently incorporates contemporary music into its programs. At their concerts, well-known and unknown works are juxtaposed, they explore new concert formats and spaces and try to convey their passion for baroque chamber music to a young audience. In addition to regular concerts in Zurich and north-eastern Switzerland, the ensemble also performed at the International Bach Festival in Schaffhausen and the Center for the Research and Cultivation of Telemann's Music in Magdeburg.
Trakošćan Castle 11.00 a.m.
Prospero Consort
Daria Spiridonova, violin
Nora Eder, violin
Dominik Klauser, viola
Marie-Louise Wundling, cello
Lukas Stamm, harpsichord
A Sense of Togetherness
Carl Philipp Emanuel Bach
Sinfonia for strings and b.c. in E minor Wq 177
Allegro assai
Andante moderato
Allegro
Jean-Philippe Rameau
Pièces de clavecin en concerts, 1st Suite
La Coulicam
La Livri. Rondeau Gracieux
Le Vézinet
Johann Friedrich Fasch
Sonata for 2 violins, viola and b.c. in D minor, FWV N:d3
Largo
Allegro
Largo
Allegro
Johann Sebastian Bach
Sonata for violin und b.c. in G major, BWV 1021
Adagio
Vivace
Largo
Presto
Johann Sebastian Bach
Sonata for 2 violins and b.c. in G major, BWV 1038
Largo
Vivace
Adagio
Presto
Georg Philipp Telemann
Sonata à 4 for 2 violins, viola and b.c. in A minor, TWV 43:a5
Grave
Allegro-Adagio
Allegro
Largo e staccato
Allegro
Johann Sebastian Bach
Contrapunctus I. from: Kunst der Fuge, BWV 1080/1
Choral: Verleih uns Frieden gnädiglich, BWV 42/7 (3’)
Prospero Consort is a Swiss-based ensemble consisting of young musicians who have dedicated themselves to historical performance practice in the conviction that the music of the past centuries is still relevant to our present. Educated at various music academies in Switzerland and Germany, they are united by the ambition to perform the music of the 17th and 18th century in highest artistic quality. Prospero Consort plays on historical instruments and consists of a string quartet with harpsichord; depending on the program, wind instruments and singers are added to the ensemble. Projects with unconventional programs from northern Germany to Naples, from trio to the chamber music performance of Bach cantatas prove the variety and curiosity of the ensemble. In addition to performing baroque music the ensemble frequently incorporates contemporary music into its programs. At their concerts, well-known and unknown works are juxtaposed, they explore new concert formats and spaces and try to convey their passion for baroque chamber music to a young audience. In addition to regular concerts in Zurich and north-eastern Switzerland, the ensemble also performed at the International Bach Festival in Schaffhausen and the Center for the Research and Cultivation of Telemann's Music in Magdeburg.